Feminist Documentary Cinema as a Diffraction Apparatus: A Diffractive Reading of the Spanish Films, Cuidado, resbala and Yes, We Fuck!

Following Karen Barad’s diffractive methodology, we encounter feminist documentary cinema as a diffraction apparatus: that is, as technologies that make part of the world intelligible to another part of the world in specific ways, by means of intra-actions between human and non-human agencies and Watch objects of observation.We propose three

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